It's been an honour and a privilege to install our latest art gallery inside the beautiful new premises of the iconic Sea Point bakery: Denise's Delights.
Home to the mother of all cupcakes, Denise's Delights is an Atlantic Seaboard institution since 1989. Their signature cupcakes, cakes and savoury delights have been gracing the tables of birthdays for decades.
Mother to all and sundry and to the feminine half of scary polony, Denise herself is something of a local legend. The connection between Denise's Delights and scary polony runs deep. It's a family affair, a mama and daughter combo and it's cooking up a cosy, experiential art and cake oasis in the heart of Sea Point.
Our first exhibition features two Cape Town based artists: Max Wolpe and Eris Silke. Wolpe's lyrical, psychological works are offset by Silke's lush portraits with eyes that hold an eerie, other-wordly and mystical gaze.
It's a Mad Hatter's Tea Party of two illustrious characters set amidst mountain peaks of edible sprinkles, the aroma of baking with real butter, slices of rainbow cake and armies of perfectly iced cupcakes.
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COFFEE WITH MAX WOLPE
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ERIS SILKE AND MAX WOLPE
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Past Exhibitions // Duchess of Wisbeach
A curated collection of Art for the iconic, cult Sea Point restaurant, The Duchess of Wisbeach.The Duchess is an intimate, owner-run restaurant with offerings of sophisticated, delicious fare in a classic, romantic setting that's laced with passion, humour and a signature bar. Home to a super cool crowd of zesty locals and visiting internationals in the heart of Cape Town's Atlantic Seaboard The Duchess offers a uniquely seductive dining experience that's quite unlike any other.
Located down a cosy, broad side street in Sea Point, The Duchess of Wisbeach is a widely known and loved hidden gem . It's been serving up it's honest, tasty menu since 2009 in a candle-lit, slightly glam, somewhat nostalgic environment with a subtle dose of twenty first century edge. A checkerboard floor in the bar area and a giant, taxidermied animal head crowned with the word 'cunt' in neon yellow join forces with a cute army of collectible ceramic dogs on every table. An array of mirrors, soft lighting, and fine-dining table settings house uninhibited conversations spiked with an unpredictable, wild party spirit that's spurred on by a secret Duchess tradition.
Our past exhibition is a lush, graphic, pop-fuelled collection of South African and international prints, oil paintings, watercolours and mixed media works.
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'BOLAFFIARTE' PRINTS IN THE BAR & PARLOUR
A curated collection of collectible, limited edition 1960's and 70's prints from the Bolaffiarte series published by Italian Press group, Mondadori. -
POP-FUELLED COLOUR FOR THE PARLOUR
Featured works by South African artists Jan Neethling, Cameron Platter and Tretchikoff -
PAST EXHIBITIONS
EXHIBITION NO.1 SCARY POLONY X DUCHESS OF WISBEACH, 10.2022 - 02.2023 // Featuring Cape Town based artist, Max WolpeMax Wolpe (b.1953) is something of a local legend and much like the Duchess, a cult personality. With his guru-like long hair, Gandalf-like beard and quiet, gentle ways he is a tranquil, olde-world witness to society. Born into Art royalty and immersed in the art world from a young age, his late father Joe Wolpe was one of the most respected and well known art dealers in South African art history for more than 3 decades. From setting the world record for British artist Ben Nicholson at a Sotheby's auction in London, trading Modigliani, Moore and Van Gogh as well as a huge pool of South African artists Joe Wolpe was a gallerist, framer and himself an artist and talented photographer. In 1966 when Irma Stern passed away, it was Joe Wolpe together with Irma's partner that were at her deathbed.
The Wolpe name is synonomous with art and Max is no exception. An observer of society, his oil paintings, watercolours and monochromatic inks weave a kaleidoscopic paper trail of the characters he meets and their quirks. Max's lattitudes and longitudes are personality grids into which his characters - who are for the most part real people, are organised.
This particular exhibtion for The Duchess features some of the characters in Max's world including 'The Three Graces', 'The Big Three', 'Remittance Man', 'The Bouncer', 'The Cats in 'Cat's Conversations', 'Lives in Flemland', and the people mania of the upcoming art world at the University of Cape Town's Michaelis school of Fine Art tradititonal 'Early Friday' gatherings.
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The Dining Room, Duchess of Wisbeach
Featuring observations of society and it's characters -
These characters both narrate Max's inner world and reflect the outer world - a societal matrix in which bohemians, conservatives, artists, creatives and party-goers or "jollers" live together but not necessarily side by side. Max has dubbed this genre 'Bohemian Safari' referring to a quintessentially Capetonian paradise at the tip of the African continent, much like The Duchess of Wisbeach.
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It's inhabited by a host of colourful people and their various, sometimes juxtaposed pscychologies. Their individual and collective narratives are witnessed, observed, digested and later expressed, by Max.
For example, 'The Three Graces', a homage to Shakespeare's 'The Three Witches' in Macbeth are "graceful" women being "disgraceful" - indulging in red wine, smoking joints, cackling with infectious laughter and reigning their empowerment.
By contrast 'Remittance Man' in Max's own words: "wouldn't be seen dead at Afrikaburn" and continues: "He would give his life for the Empire. He would be one of the characters in a boys comic. He is almost a joke. His motto would be he who laughs last, laughs longest. Obviously he's limited. I believe he was a shoemaker, probably a good one. He is certainly no Bohemian."
Max both finds the humour in observing society and gifts his honesty and wisdom to those he encounters. There is no standing on ceremony with Max Wolpe and his personae is as real as you'll ever find. He doesn't drink alcohol or gassy, synthetic cold drinks and he doesn't use synthetic paints either. A purist, his art is defined by the ritual of paint and palette. Similarly the ritual of tea and coffee is observed as ceremony. For this particluar exhibition we have included "A Wall of Ceremony" featuring Max's still life paintings of tea and coffee. "Still Life with Tea" and "Still Life with Coffee" refer to quality societal rituals of connection and intimacy. They value the real. What you see is what you get with Max. In a society that is starting to show the edgings of it's craving for "the real", never has his work been more relevant than right now.
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WALL OF CEREMONY
ART THAT IS DEFINED BY THE RITUAL OF PAINT AND PALETTE, CEREMONY THAT IS DEFINED BY SOCIETAL RITUALS OF TEA AND COFFEE